les statues meurent elles aussi

But maybe you were intending something else? Just as Jean Rouch's The Mad Masters (1954) so did this documentary, about the art of indigenous peoples, get banned and therefore is still quite unknown compared to another documentary by Alain Resnais, about the legacy of WWII and concentration camps, Night and Fog (1955).The commentary track by Chris Marker leads us to the sacred world of artifacts. Chris Marker. Les Statues meurent aussi was commissioned by the literary review and publishing house, Présence Africaine, which was set up in 1947 in Paris as a quarterly literary review for emerging and important African writers. But as Europeans steal it and take it from their land to the cold museums, the art loses its meaning. The French essay film “Statues Also Die” (1953), directed by Chris Marker and Alain Resnais, centers itself around about historical African art and doubles as a critique of French colonialism. ( Log Out /  Other articles where Les Statues meurent aussi is discussed: Alain Resnais: Les Statues meurent aussi (1953; Statues Also Die), his study of African art, was banned for 12 years for references to colonialism that he refused to alter. Favorited by8. See All Audience Reviews Les Statues Meurent Aussi Quotes. 80 × 120 cm. María Dávila. » 30 dakikada size afrika sanatı, kültürü, dini ve kolonizasyon üzerine size çok farklı bakış açısı katacak bir belgesel. A documentary of black art. Les statues meurent aussi (1953). Les statues meurent aussi (1953). ( Log Out /  Alain Resnais & Chris Marker - Les Statues Meurent Aussi (Statues Also Die) - 1953. Statues Die Also/Les Statues Meurent Aussi can be seen on YouTube, in both its original form, and with subtitles. Have a question? In 1954, the film won the Prix Jean Vigo award. Offers . Film réalisé en 2008 - projet de film expérimental s'inspirant d'une toile de Magritte et du mythe de Narcisse. Submit review. Statues also Die (1953) 30 min | Documentary, Short. In 2012, Sascha Pohle shot a film that he called Statues Also Die and in it adapted not only what now seems anachronistic, namely an analog recording medium on 16mm film, but also evidently adopted the title of the eponymous short film Les statues meurent aussi by French filmmakers Chris Marker (1921-2012) and Alain Resnais (1922-2014). Oof, that was Rotten. Les Statues Meurent Aussi / Statues Also Die (1953) by Alain Resnais & Chris Marker. The film won the 1954 Prix Jean Vigo. Live Now. Emiam 5/10 (7.6 / 10 IMDb - 1091 votes) Classic short film. Quand les statues sont mortes, elles entrent dans l’art. "When men die, they become history. 7.6/10 1,107 ... ‘Les statues meurent aussi’, co-directed by Alain Resnais. Go to properties to change font size. I think views of African art and seeing it ‘alive’ have changed since the time of that film, or this parallel article in Life magazine from 1953. The film begins with a montage of sculptures, masks and other traditional art. Cette botanique de la mort, c’est ce que nous appelons la culture." “From the opening minutes to the last, the aesthetic of Les Statues meurent aussi draws attention self–reflexively to acts of looking. Before this documentary people had only experienced Africa through imperialistic consciousness - Tarzan films were all the material people had seen of the colony and Africa's own films were still waiting to be made. €2,400. Change ), You are commenting using your Twitter account. Cette botanique de la mort, c’est ce que nous appelons la culture.” (8) Marker’s poetic commentary in Les Statues meurent aussi, spoken as always through a voice that is not his own, acknowledges that the passage of time ravages the faces of statues and busts just as it ultimately destroys the flesh and bones of man. From the question "Why is the african in the Human museum while Greek or Egyptian art are in Le Louvre? Title: Show Map. White man enslaves the black man; an illustrating moment is the picture where a white man is guiding a black man to make a bracelet - white man has turned original African art into a portrait of himself. Les Statues identifies a different path – one which already existed when the film was made, but which has been slower in being recognised in the west – with the incorporation of the traditional in post-colonial contexts, with its re-imagination and re-invention by contemporary artists, who reject any suggestion that contemporary African art is less authentic than the traditional. Africa begun to wake up. Once statues die, they become art. Beyond that, I think the arguments they are making are a little more subtle than you give them credit for. See Full Cast + Crew for Les Statues meurent aussi Features Load More Features Movie Reviews Presented by Rotten Tomatoes. There are no approved quotes yet for this movie. Kipovi također umiru) je francuski kratki crno-bijeli dokumentarni film snimljen 1953. u režiji Chrisa Markera i Alaina Resnaisa.Napravljen je u produkciji časopisa Présence Africaine, a za temu ima afrička umjetnost, odnosno prezrivi odnos koji je prema njoj imao tadašnji evropski kulturni establišment. This smart opening line sets up high expectations for the viewer, and the film succeeds in redeeming all of them. Les Statues meurent aussi Synopsis. The film is a documentary, written by Chris Marker , who also co-directed the short with Alain Resnais . Les statues meurent aussi (Statues Also Die) is a collaboration between French filmmakers Chris Marker and Alain Resnais, commissioned by the journal Présence Africaine in 1950, officially released in 1953. pin. In this context, African art becomes commercialised to meet the demand of western consumers, valued both for its representation of the exotic other and as a standard for judging what is “authentic”. Get a sneak peek of the new version of this page. There are no featured audience reviews for Les Statues Meurent Aussi at this time. Les Statues meurent aussi reflects both the in- sightful political nuances that are the signature authorial style of Marker’s work (one could name countless works, but Le Fond de l’air est rouge [A Grin Without a Cat, 1977/1993] and Sans Soleil (Sunless, 1982) might particularly stand out in this regard), and the ethical, political and aesthetic concerns with animation and the inanimate, movement and stillness. Hosted by L'hybride, Lille and Survie Nord. The role of the boxer or the drummer, in the ring or in the orchestra, was born from the need to return the strikes their brothers had taken from the white man in the streets. Ce film, longtemps censuré, c’était « les statues meurent aussi ». about 6 months ago. Today’s film is the 1953 short Les statues meurent aussi, also known as Statues also Die. L'hybride, Lille. It was made by two French masters to come - Alain Resnais (Hiroshima mon amour) and Chris Marker (La jetee). Religious needs were replaced by commercial interests; "folklore, sports and music." Alain Resnais Chris Marker: Les statues meurent aussi (The Statues Also Die) Tickets Informative ... Les statues meurent aussi (The Statues Also Die) Alain Resnais Vannes, France, 1922 - Paris, France, 2014; Chris Marker Neuilly-sur-Seine, France, 1921 - Paris, France, 2012; Date: 1953. The definitive site for Reviews, Trailers, Showtimes, and Tickets The film-makers argue that when an African looks at this art “he sees the face of a culture”, whereas we (Europeans) see picturesqueness. Sort:Popular A - Z Les Miserab les Rafael Yglesias 1998-You can`t sleep here. Quand les statues sont mortes, elles entrent dans l’art. On y parlait des œuvres africaines entrées dans les musées européens. 31 1/2 × 47 1/5 in. Added to Watchlist. LagosJumpRadio. Apocalypse Now. The definitive site for Reviews, Trailers, Showtimes, and Tickets 42 views. They die. AKA: Statues also die. Kevin Rebellious. Les Statues meurent aussi / Statues Also Die (1953) This article brings a current critical-theoretical investment in ‘things’ into dialogue with the filmic medium. Quel … This is no longer such a radical position, as evidenced by the recent Making Africa exhibition at the Bilbao Guggenheim showcasing contemporary African art, its diversity of forms and influences. Jenny Chamarette, “Les Statues meurent aussi,” Senses of Cinema, 2009. After seven months I saw this film for the second time, this time on the big screen, and therefore decided to write a brief review of the film, I so admire. Les Statues Meurent Aussi with Soichi Datsa Soichi Datsa explores Geneva’s Ethnomusical Museum’s sound archives as well as other gems coming from all around the world, creating his own network of traditional and spiritual rites… Les statues meurent aussi je francuski kratki crno-bijeli dokumentarni film snimljen 1953. u režiji Chrisa Markera i Alaina Resnaisa. Ce film, longtemps censuré, c’était « les statues meurent aussi ». But when they get cataloged and put behind museum showcases, they die too. ( Log Out /  Les statues meurent aussi is a part of Resnais’ short film program during the Summer Film School. Les Statues Meurent Aussi with Çaykh. ", the two directors expose and criticise the lack of consideration for African art. One could make some of the same silly comments about Baroque art–this is not a cup, this is a chalice, despite the superfluous decoration etc. Les films que j’ai faits et qui n’existent pas . Add to Watchlist. See All Audience Reviews Les Statues Meurent Aussi Quotes. In S Africa at least, based on my experience, art is ‘proudly’ in place where it would have been dismissed in the past and there is a thriving market in ‘antiques’ and reproductions, to both white and black customer. This work includes a certificate of authenticity. https://www.icheckmovies.com/movies/les+statues+meurent+aussi Oil on board. Quand les statues sont mortes, elles entrent dans l’art. 1953 ‘Les statues meurent aussi ... «Quand les hommes sont morts, ils entrent dans l’histoire. However, the markets abount with ‘Africa kitch’. Chris Marker and Pierre Lhomme's LE JOLI MAI (The Lovely Month of May) is a portrait of Paris and Parisians during May 1962;the first springtime of peace after the ceasefire with Algeria ... See full summary ». Manchurian born and French educated, she's an intriguing anomaly. NOTE: Click CC button to add English subtitles. And hopefully they have been able to refine and extend the argument. Post comment. See all news. Similar issues are currently being played out in Australia, In Australia, where widespread recognition is given to more traditional forms, but artists such as Vernon Ah Kee, Gordon Hookey and Megan Cope feel the need to come together as proppaNOW (https://proppanow.wordpress.com/) to increase the recognition of contemporary voices and the creation of  new forms of expression. Tune in. Soichi Datsa's research program Monthly on www.lyl.live. Meh, it passed the time. Listeners258. Some critics condemned Hiroshima mon amour for its sympathetic treatment of the heroine, once a wartime collaborationist and… Tune in. Of course it’s not objective: archival film and documentaries. 32 views. Even that exhibition, however, acknowledged that there remains a relative absence of contemporary African art in European Museums and galleries. Tune in. Once statues die, they become art. Our interactive video piece explores the perception of sculpture over time: when first seen, a sculpture imparts its basic form. On April 26 1937 the small Basque town of Guernica was bombed without warning by the German aviation. Les statues meurent aussi subtitles. Kipovi također umiru) je francuski kratki crno-bijeli dokumentarni film snimljen 1953. u režiji Chrisa Markera i Alaina Resnaisa.Napravljen je u produkciji časopisa Présence Africaine, a za temu ima afrička umjetnost, odnosno prezrivi odnos koji je prema njoj imao tadašnji evropski kulturni establišment. Change ), You are commenting using your Facebook account. Pulp Fiction. Afrika is alive! Don't let people miss on a great quote from the "Les statues meurent aussi" movie - add it here! Les statues meurent aussi. Not as boring as it sounds and looks on the movie poster. On y parlait des œuvres africaines entrées dans les musées européens. Resnais is a legend on the world cinema stage, with a directing career that spanned over 70 years, and a filmography that includes classics such as Hiroshima Mon Amour and Last Year at Marienbad . Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. I agree that the film is a little clumsy in places, and I’d even say it tends to overuse the exotic imagery to its own ends, but these are minor criticisms. Statues Also Die (French: Les statues meurent aussi) is a 1953 French essay film directed by Alain Resnais, Chris Marker, and Ghislain Cloquet about historical African art and the effects colonialism has had on how it is perceived. We are shown how original art gets destroyed, how the old core values vanish. Change ), The Exotic Other : Statues Also Die (Les Statues Meurent Aussi) (1953). Objects 101 - Everything and Objects with Eric Hosick [HQ] The History Of Mortal Kombat - Episode 06 - Soul of a Warrior. NOTE: Click CC button to add English subtitles. Louis Chevaillier, éditeur et poète. Share this event with your friends. With Jean Négroni, François Mitterrand, Pope Pius XII, Sugar Ray Robinson. Cette botanique de la mort, c’est ce que nous appelons la culture. LES STATUES MEURENT AUSSI Exhibition by Jan Mammey, Falk Messerschmidt, Fabian Reimann at the Palais de la Porte Dorée on view until March 3rd 2019 Les statues meurent aussi est un court métrage documentaire français réalisé par Chris Marker, Alain Resnais et Ghislain Cloquet, sorti en 1953.. If you are saying that there are a lot of films on the topic made subsequently – sure. Use the HTML below. This FAQ is empty. This is a unique work. Jean-Marie Oger. Starring: Jean Négroni. Cette botanique de la mort, c'est ce que nous appelons la Culture.Les statues meurent aussi (1953) de . Add the first question. In the seaside town of Boulogne, no one seems to be able to cope with their past, least of all Hélène, an antique furniture saleswoman, her stepson Bernard, and her former lover Alphonse. Was this review helpful to you? (1953). 5 thoughts on “ The Exotic Other : Statues Also Die (Les Statues Meurent Aussi) (1953) ” Larry Stillman says: March 16, 2016 at 9:36 am. A Member Of The STANDS4 Network. - 1 citations - Référence citations - ... Quand les statues sont mortes, elles entrent dans l'art. Memory and how we choose to interpret the past are interwoven themes that run through most of Chris Marker’s work. The longer you look, the more information is imparted, and a longer residual impression is created. Statues Also Die is available in full online (30 mins). View production, box office, & company info, The Africa Channel Presents In-Depth 6-Part Doc Series on "African Art" - Watch Episode 1, 2014 Ann Arbor Film Festival: Official Lineup, Sunday Shorts: ‘Les statues meurent aussi’, co-directed by Alain Resnais, Africa: European Colonialism and Its Legacies. Founded by the Senegalese thinker Alioune Diop, it housed the writings of some of the most important francophone thinkers in the latter half of the 20th century, such as Aimé Césaire, … when you spend $25 on participating products. Quentin Tarantino - 1994. And Africa is not one place, it is a vast, diverse continent, we forget how big it is–it takes 8 hours to fly from Joburg to the Mediterranean. A woman narrates the contemplative writings of a seasoned world traveler, focusing on contemporary Japan. Some critics condemned Hiroshima mon amour for its sympathetic treatment of the heroine, once a wartime collaborationist and… Keep track of everything you watch; tell your friends. Les Statues Meurent Aussi (Statues Also Die) is a 1953 French essay film directed by Alain Resnais, Chris Marker, and Ghislain Cloquet about historical African art and the effects colonialism has had on how it is perceived. At the time of the film’s release, France was still a colonial power – a colonial power that celebrated its “possessions”, their “primitive” cultures and artefacts. Statues also Die Las Estatuas También Mueren [Chris Marker - Alain Resnais] - Subtítulos Español - Completo. Rotten Tomatoes, home of the Tomatometer, is the most trusted measurement of quality for Movies & TV. A man of the African community sees so much more in this art - he sees the faces of culture, where all we see is external beauty and picturesqueness.Statues Also Die is a film about racism and western thoughts of superiority: "We look at Negro art just as it would gain its right to exist after giving the pleasure to us." Great art has been bought and spoiled, the black man was paid to sell his soul, to turn his heritage, culture and life into a comedy. 1953 ‘Les statues meurent aussi ... «Quand les hommes sont morts, ils entrent dans l’histoire. Released in 1953, it won the Prix Jean Vigo in 1954, but the second half of the film was banned in France until 1963, and not screened publicly until 1968. And the film-makers have no issue with what happens in Africa – as big and diverse as it is – in fact they applaud it and say that this is as it should be (with the exception of the commercial aspect). Statues Also Die. StepbackRecords. Soichi Datsa's research program Friday, October 4, 2019 at 8:30 PM – 11:00 PM UTC+02. Other articles where Les Statues meurent aussi is discussed: Alain Resnais: Les Statues meurent aussi (1953; Statues Also Die), his study of African art, was banned for 12 years for references to colonialism that he refused to alter. https://www.youtube.com/watch?v=ZBXOg30xPaQ. The focus is on their emotional qualities, and their historical and aesthetic qualities from a European perspective, with almost no contextual information relating to their origins. Check out what we'll be watching in 2021. Together they created a masterpiece which changed our way of looking at Africa, due to which the film was instantly banned for four years.In the late 1940's India became independent and it was just a matter of time when Europeans would get kicked out of Africa. Europeans can only enjoy it aesthetically, they only see its external side and not the essence of it. Quand les statues sont mortes, elles entrent dans l’art. There are no featured audience reviews for Les Statues Meurent Aussi at this time. Cette botanique de la mort, c’est ce que nous appelons la culture." Dans le film Les Statues meurent aussi (1950-53), Marker, en tant que réalisateur et scénariste, secondé par Resnais, comme co-réalisateur, Ghislain Cloquet comme directeur de la photographie et Guy Bernard comme compositeur, se donna pour mission de contester le regard figé prédominant sur les artefacts africains. More shipping options available at checkout • New condition • 30 day returns - Buyer pays return shipping; ABOUT SPEEDY HEN LLC. Width: 311 mm. Napravljen je u produkciji časopisa Présence Africaine, a za temu ima afrička umjetnost, odnosno prezrivi odnos koji je prema njoj imao tadašnji evropski kulturni establišment. Joel Coen - 1998. Rotten Tomatoes, home of the Tomatometer, is the most trusted measurement of quality for Movies & TV. Hosted by. This botany of death is what we call culture." Endnotes. Animating Language / De-colonising the Archive: Monash Country Line Archive, https://www.youtube.com/watch?v=ZBXOg30xPaQ, U2 means You Too: Documenting Graffiti and Street Art, Agnès Varda: Documenting – or gleaning – the ephemeral. In seven different segments, Godard, Klein, Lelouch, Marker, Resnais and Varda show their sympathy and support for the North Vietnamese army during the Vietnam war. 19 views. Metadata and curators notes do not bring objects back to life. Yee yee! The way the directors influenced each other is evident in their collaboration on the film Les Statues Meurent Aussi (Statues Also Die, 1953). Les statues meurent aussi. $26.93 Free Shipping. Directed by: Alain Resnais, Chris Marker. In reality, however, they are only dead from a European perspective. Like millions all over the world, Pablo... See full summary ». They adore this art and as demand grows it turns into mass-production, trash - bazaar art. These insights will be brought into dialogue with Alain Resnais and Chris Marker’s 1953 short essay film Les Statues Meurent Aussi/Statues Also Die. The Metamorphosis (3 of 3) Sam play's Survivors Facecam/Reaction (First Facecam!) A documentary of black art. The comments with regard to museums apply to all museums and their artefacts, regardless of origin. Want to see Super Reviewer. Sold. Certificate of authenticity. The Web's Largest Resource for Famous Quotes & Sayings. Le film Les Statues meurent aussi apparaît d'abord, par son titre même, comme une réplique, polémique, aux Voix du silence. Rate this movie. 34 views. For a more in-depth commentary, see Daniel Vilensky, Statues Also Die, Senses of Cinema, Issue 64, September 2012. Stream Tracks and Playlists from Les Statues Meurent Aussi on your desktop or mobile device. Les statues meurent aussi (sh. Edit page. The film overstates the case, but the basic point holds. 18 rue Gosselet, 59000 Lille, France. María Dávila. The Persistence of Memory – The Impermanence of Meaning, Tom Denison, Centre for Organisational and Social Informatics, Monash University, “When men die, they become history. X. Les Statues Meurent Aussi. Poetic and aesthetic visit of a large polystyrene factory. The black man was able to make fun of the white man in the ring, or in a basketball game but after they won, they got bashed and kicked in the name of racism. Contact gallery. Article NL FR 13.03.2019. clock. We've found 35 scripts matching Les statues meurent aussi.. Objects die when living eyes see them no more.. Short documentary ordered by the magazine "Présence Africaine". African art is full of soul and beauty, filled with significance. French. Jean-Marie Oger. To my mind that doesn’t negate the value of the original film. 425 Followers. Comportamento: reproducing the past or creating new conversations? Media description: 35 mm film transferred to video (DVD) Script: Chris Marker Music: Guy Bernard. These insights will be brought into dialogue with Alain Resnais and Chris Marker’s 1953 short essay film Les Statues Meurent Aussi/Statues Also Die. A "home movie" by Chris Marker of his visit to Tokyo with his girlfriend, actress Arielle Dombaste, beginning with a chat with a live mannequin in a store window, then through the subway and to the market. Read Full Synopsis Cast + Crew Previous Cast Members More Cast Members. Boris Lehman 1993 « Si je ne filme pas, je ne vois rien, je ne retiens rien, ni les arbres, ni les visages. Les statues meurent aussi est un court métrage documentaire français réalisé par Chris Marker, Alain Resnais et Ghislain Cloquet, sorti en 1953. 10 Interested. Rated the #26 best film of 1953, and #3319 in the greatest all-time movies (according to RYM users). The film won the 1954 Prix Jean Vigo.Because of its criticism of colonialism, the second half of the film was banned in France until the 1960s. The film was years ahead of its time, depicting imperialism - the political, economical and cultural exploitation of colonial possessions, and the European feeling of superiority. This essay film directed by Alain Resnais, Chris Marker and Ghislain Cloquet is about historical African art and the effects colonialism had on the way this art was and is perceived. Getting Started | Contributor Zone » The Movies We Can't Wait to See in 2021. Other works by María Dávila. Much more in living context– and there are many films like this. Share - LES STATUES MEURENT AUSSI. Comments. Directed by Ghislain Cloquet, Chris Marker, Alain Resnais. Negritude and cultural assertion are a powerful force, certainly in music. Les Statues Meurent Aussi (Statues Also Die), the name was taken from the 1953 Chris Marker and Alain Resnais film. 55 Tracks. A crossover between art documentary and essay film, it treats historical African artefacts and their perception under (post)colonialism. You must be a registered user to use the IMDb rating plugin. Les statues meurent aussi Ghislain Cloquet Chris Marker alain resnais; Related Content. Les Statues Meurent Aussi's Soichi Datsa is back in the studio with a bunch of traditional music, mixed with Western experimental and leftfield electronics. Sommaire Retour au numéro. Quand les statues sont mortes, elles entrent dans l’art. The story of a man forced to explore his memories in the wake of World War III's devastation, told through still images. Considering a recent turn to materialism alongside the question of cinema’s ontology, this article foregrounds a tension between subjective and objective modes of image production. Statues Also Die (Les Statues meurent aussi) Ratings & Reviews Explanation. Les Statues Meurent Aus si( 1953) Chris Marker, An icon used to represent a menu that can be toggled by interacting with this icon. But museums are for the bourgeoisie, not the poor, but the contemporary black art I have seen takes up older themes and concerns. Cette botanique de la mort, c’est ce que nous appelons la culture. Change ), You are commenting using your Google account. There are no approved quotes yet for this movie. See All . This documentary explores the Bibliothèque Nationale in Paris, its priceless treasures and how humanity remembers itself. The IMDb editors are anxiously awaiting these delayed 2020 movies. -Get away from me. View all . Soichi Datsa asked drummer & selector Nicolas Sheikholeslami aka Çaykh to contribute to his monthly radio show. Want to share IMDb's rating on your own site? The biography of Dutch artist Van Gogh, illustrated only with images of his paintings and drawings, or details of those, and according dramatic musical score. Our favorite collection of Famous Movies » The Big Lebowski. Genres: Art Documentary, Essay Film. ( Log Out /  Eredeti cím: Les statues meurent aussi Műfaj: Dokumentum | Rövidfilm Származás: Franciaország Szereplők: Sugar Ray Robinson, Jean Négroni, François Mitterrand, Pope Pius XII Rendező: Ghislain Cloquet Értékelés: 7.7/10: Név: Les statues meurent aussi (1953) / Kép: DVDRip – 1920×1080 – Full HD / Hang: Dolby Digital 5.1 / Szinkron: magyar / Fájlméret: 2.1Gb. Add a Quote. Daniel Vilensky, Statues Also Die, Senses of Cinema, Issue 64, September 2012. There is no sense in categorizing objects into art in a world where everything is art, a kind of world which Africa here represents. LES STATUES MEURENT AUSSI. The film is well meaning, a bit quaint (that mysterious music, nowadays it would be some amazing band from Mali etc. ) Sin título, 2017. 209 likes. Chris Marker had reportedly made a number of “amateur” films prior, and his first released feature as a director was Olympia ’52 (1952), documenting the games. The history of Nazi Germany's death camps of the Final Solution and the hellish world of dehumanization and death contained inside. Two thousand people, all civilians, got killed. 5 thoughts on “ The Exotic Other : Statues Also Die (Les Statues Meurent Aussi) (1953) ” Larry Stillman says: March 16, 2016 at 9:36 am. The film is an intelligent analysis of the cruelty by which imperialism has destroyed the art of the original Africa. This short film looked at African art and how France’s colonial past influenced the way that it was perceived. Visit our help center. Get it by Mon, Aug 3 - Tue, Aug 4 from Fort Lauderdale, Florida; Need it faster? Le film était une commande de la revue Présence africaine.Partant de la question « Pourquoi l’art nègre se trouve-t-il au musée de l’Homme alors que l’art grec ou égyptien se trouve au Louvre [1] ? Un second siècle pour le cinéma. 21 of 27 people found this review helpful. a live art performance adaptation from Chris Marker & Alain Resnais by Nathalie Mba Bikoro Pitts Rivers Museum Oxford UK October 2014 Paris. Tune in. As the narrator observes, “classifed, labelled, conserved in the ice of showcases and collections” these artefacts lose their original meaning. She notes how the objects in Statues Also Die are shown almost as if they were alive: “Marker’s camera treats all subjects in front of its lens without differentiating between humans, statues, animals, landscapes, architecture, or signs. Mots Radio. Receive a $10 Reward. C'est que les statues meurent en tant que statues pour n’être plus que des sculptures, comme si le cultuel se dégradait en culturel : « Quand les statues sont mortes, elles entrent dans l'art. Their argument is with European perceptions and I think the fact that in 2015 a major European gallery still feels the need to argue the case adds some weight to their point of view. Statues Also Die ( French: Les statues meurent aussi) is a 1953 French essay film directed by Alain Resnais, Chris Marker, and Ghislain Cloquet about historical African art and the effects colonialism has had on how it is perceived. Go to properties to change font size. The film-makers don’t argue for an inversion colonial mores, but a recognition that African art is situated within a broader context. Les Statues meurent aussi, 2016. His second film, Statues Also Die, a collaboration with Alain Resnais and Ghislain Cloquet, was initially conceived as a film about African art – they were intrigued as to why African art was in an ethnological museum as opposed to the art of other ancient civilisations, housed in the Louvre.

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